Eric Smith, Jamaican painter

After my junior year of high school, I spent the summer in Jamaica. I had been there before on family trips which were working vacations for my father. He was part of two Jamaican research projects on bioluminescence — of fireflies and marine dinoflagellates. Dad worked at Johns Hopkins with Bill McElroy who published his first paper on bioluminescence in 1942 (McElroy and Ballentine 1942) and in the 1950s described the luciferin-luciferase reaction (White et al. 1961) after studies of the 1.5 million fireflies collected by kids around Baltimore. Howard Seliger arrived at Hopkins in 1958 and quickly determined the spectral and quantum yield of firefly bioluminescence (Seliger and McElroy 1960) and eventually characterized the light emission from more than 100 species of firefly in Maryland and Jamaica.

Mike Loftus, Howard Seliger, Bill Fastie, Marlene DeLuca, Susan Loftus, and Bill McElroy playing poker in a cottage at the Chatham Hotel in Montego Bay, Jamaica, June 1968. The map on the wall is Oyster Bay where they were studying bioluminescent dinoflagellates. Mike Loftus managed the field station. Marlene DeLuca married McElroy in 1967 and had a distinguished career studying research applications of the luciferin-luciferase reaction. Instamatic Ektachrome processed in September 1969. Photo by C. Fastie.

McElroy left Hopkins in 1969 to be Director of the National Science Foundation and in 1972 became the Chancellor at the University of California San Diego. Seliger continued to teach at Hopkins until 1999 and both men continued research on the biology and biochemistry of bioluminescence, each publishing many dozens of papers on the subject.

I seem quite perplexed by something related to operating the water sampling equipment on a transect across Oyster Bay, Jamaica. I was in charge of analyzing hundreds of these samples for dissolved oxygen (no fancy probes, just titration). Summer 1968. Color slide by Steve processed January 1969.
This shallow, protected part of Oyster Bay regularly has local concentrations of bioluminescent dinoflagellates as high as 10 million per liter of water. This is caused, in part, by the movement of the dinoflagellates upwards towards the water surface in the morning (phototaxis toward the light) at the same time winds start pushing surface water to this area. Mangrove communities lining the bay produce a nutrient rich marine environment which supports the phytoplankton (see Seliger et al. 1970). Color slide by C. Fastie processed in January 1969.

Dad collaborated on a few of those papers by designing instruments to quantify the spectrum or intensity of the light emitted by fireflies and dinoflagellates (seven references below, 1961 to 1969). I pulled some strings and was offered a summer job in the field station that McElroy and Seliger had established at Glistening Waters, a Jamaican resort exploiting a spectacularly bioluminescent bay.

Mike Loftus (Field Station Manager) and Steve (Field Station Assistant) preparing the probe and sampler to collect data and water on transects across Oyster Bay, Jamaica. Steve’s preferred cigarette was Craven A. Color slide by C. Fastie processed January 1969.
Mike Loftus in the lab trailer at the field station at Oyster Bay, Jamaica, Summer 1968. Instamatic Ektachrome by C. Fastie processed September 1969.

For the first week of the summer job, McElroy, Seliger, and Dad were there doing something or other scientific between restaurant visits and poker games. Then Mike, Steve, and I collected data all summer.

Me exiting the lab trailer apparently with news of a disturbing scientific breakthrough. Oyster Bay Field Station, Summer 1968. Color slide by Steve processed January 1969.

I received recognition for my excellent work that summer. Dr. Seliger acknowledged Mike, me, and Steve (W. Stephenson) in Seliger et al. (1969): “We would like to thank the following persons: W. H. Biggley, M. Loftus, C. Fastie, and W. Stephenson, who assisted with the bioluminescence measurements…” This was my first appearance in a peer reviewed scientific paper.

Steve and I liked to take photos of each other with my camera (my brother’s old Minolta AL 35 mm viewfinder camera). The photos above seem to be a contest to determine either 1) which of us could look cooler in a photo or 2) which of us could take the cooler photo of the other. Maybe we both won. In front of the resort building at Oyster Bay, Jamaica, summer 1968. Color slides processed January 1969.

I have all the letters I wrote home that summer, so I know that I made $70 per week and my living expenses were $15 per week. This was the first time I had any disposable income and souvenirs were calling to me. I visited all the duty-free stores in Montego Bay and paid $5.00 for a Swiss Army knife (with a Phillips head screwdriver!). While walking around town I would usually be approached by somebody asking what I was looking for. One time, after I told the young guy I didn’t need his help, he pulled two switchblade knives out of his pocket. He gave me a wide-eyed look and said they were $5.00 apiece. I calmed myself, suggested $5.00 for both, and the deal was made. When I walked onto the plane in Montego Bay to fly home, and then onto the connecting flight in Miami, each pocket of my seersucker sport coat had a switchblade in it and the Victorinox was in my pants pocket. I figured that would be safer than putting them in my luggage.

Oil painting by Eric Smith purchased in 1968 in Montego Bay, Jamaica. Oil on board, 20″ x 16″.

In the luggage I took home was an oil painting which I bought at an open-air gallery along a street near Montego Bay. I had been looking for an authentically Jamaican painting and admired many folk art scenes of Jamaican life, but the best ones were too expensive. Then I saw the painting above by Eric Smith. This was not local folk art — it was Caribbean version of French Impressionism. I was told Eric Smith lived in the hills above Montego Bay and I assumed he was some old English guy trying to channel Van Gogh. I liked Van Gogh, and I really liked this painting, but I felt disrespectful of the Jamaican people for not supporting the local folk artists. When I learned the painting was only $25, I bought it anyway.

I found this ca. 1957 photo of “Eric Smith” at a website about Jamaican Mennonites. I don’t know if this guy painted my beach scene 10 years later, but maybe this is him.

This week, for the first time, I Googled “Eric Smith Jamaican Painter.” Eric Smith was not an old English guy. He was born in 1932 in Kingston, Jamaica and studied art there. He was 36 when I bought his painting in 1968. Dozens of Smith’s paintings are on the internet. Many galleries and art auctions feature his paintings which are said to be “highly collectible.” Most of the works online were painted in the 1990s and a few in the 1980s. I found none from the 1960s or 1970s and none in the raw Impressionistic style or luminous color scheme of my beach scene. Maybe I have a rare early work by a painter who became prolific, famous, and collectible 20 years later.

Eric Smith’s paintings are still popular with collectors, but the five-digit prices above do not reflect what his paintings sell for these days.

I haven’t been able to find more than a few biographical sentences about Eric Smith. I don’t know much about his life or if he is still alive (he would be 92). I don’t know how important his paintings are in Jamaica or beyond. His painting of the beach scene has been important to me for 56 years and I am interested in learning more about it. So I named this post after the Google search that I hope will lead some knowledgeable person here. Please get in touch if you have any information about Eric Smith and especially about my favorite painting of his, the beach scene above.

References cited (chronological)

McElroy, W. D., and R. Ballentine. 1942. The mechanism of bioluminescence. Proc. Natl. Acad. Sci. U. S. A. 30:377-382.

Seliger, H. H., and W. D. McElroy. 1960. Spectral emission and quantum yield of firefly bioluminescence. Arch. Biochem. Biophys. 88:136-141.

White, E. H, W. D. McElroy, G. F. Field, and F. McCapra. 1961. Structure and synthesis of firefly luciferin. J. Am. Chem. Soc. 83:2402-2403.

Seliger, H. H., W. G. Fastie, and W. D. McElroy. 1961. Bioluminescence in Chesapeake Bay. Science 133:699-700.

Seliger, H. H., W. G. Fastie, W. R. Taylor, and W. D. McElroy. 1962. Bioluminescence of Marine Dinoflagellates : I. An underwater photometer for day and night measurements. J Gen Physiol 45 (5): 1003โ€“1017.

Seliger, H. H., Buck, J. B., Fastie, W. G., and W. D. McElroy. 1964. The spectral distribution of firefly light. The Journal of general physiology48(1), 95โ€“104.

Seliger, H. H., Buck, J. B., Fastie, W. G., and McElroy, W. D. 1964. Flash Patterns in Jamaican Fireflies. Biological Bulletin127(1), 159โ€“172.

Taylor, W. R., H. H. Seliger, W. G. Fastie, and W. D. McElroy. 1966. Biological and physical observations on a phosphorescent bay in Falmouth Harbor, Jamaica, W. I.. Journal of Marine Research 24, (1).

Seliger, H. H., and W. G. Fastie. 1968. Studies at Oyster Bay in Jamaica, West Indies. III. Measurements of underwater-sunlight spectra. Journal of Marine Research 26, (3).

Seliger, H. H., W. G. Fastie, and W. D. McElroy. 1969. Towable Photometer for Rapid Area Mapping of Concentrations of Bioluminescent Marine Dinoflagellates. Limnology and Oceanography 14. 806-813.

Seliger, H. H., J. H. Carpenter, M. Loftus, W. D. McElroy. 1970. Mechanisms for the Accumulation of High Concentrations of Dinoflagellates in a Bioluminescent Bay. Limnology and Oceanography 15. 234-245.



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