The Maryland Historical Society installed the Soldiers Delight historical marker in 1968. It looks brand new in the 1969 photo from The Baltimore Sun archives, and it appears to be on the west side of Deer Park Road near the overlook. I photographed the marker in 1973 when it appears to be on the opposite side of the road. It also appears to have been repaired after being broken off the post. I found a recent photo from August 2009 showing a completely new sign now back on the west side of the road next to the overlook parking. The wording of the sign has not changed, only the number of paragraphs and the number of spelling errors. Continue reading “Marker historical”
Click photos to enlarge.
There are portraits of more than a dozen species of plant among my old negatives of Soldiers Delight. Most of these are characteristic plants of the barrens, like post oak, blue stem, and moss phlox. A few photos are of plants that are uncommon in Maryland except on serpentine. I don’t know these plants well enough to be sure of the identification, and some might be impossible to indentify just from photos. I photographed these between 1973 and 1975 before I paid very close attention to plant names, but I must have been aware that certain species were special at Soldiers Delight. Continue reading “Seldom scene”
Click to enlarge photos Land purchased by the State of Maryland for the Soldiers Delight Natural Environment Area included two historic buildings: Red Dog Lodge and a log cabin said to have been built in 1848. The lore is that the cabin was used as an assay office for the Tyson chromite mining operation. It was apparently well maintained for most of its decades and was well preserved when I photographed it in the fall of 1974 before much restoration had been done. There were no windows or doors, but it had a real foundation (maybe even a cellar), intact chinking, and a mostly functioning roof. Soldiers Delight’s first ranger, E. Vernon Tracy, organized some restoration, and by the spring of 1975 the windows and doors were boarded up and it had a new roof, or at least a different roof. In 1974 there was a patched composition shingle roof, and in 1975 there appeared to be a wood shake roof, but not necessarily a brand new one. So I’m not sure what changed. Continue reading “Assay office”
Below is a diagram that was never shown to me in science class. Alfred Wegener proposed his theory of continental drift in 1912, but it was not until 1960 that most scientists began to accept the new paradigm that continents move around. The idea of crust formation at mid ocean ridges came even later in 1966. So when scientists and teachers in the 1950s and 1960s presented a story about the serpentine rock underlying Soldiers Delight, they got it wrong. Serpentinite is formed in the lower oceanic crust, typically at the mid ocean spreading centers. That’s where it picks up its heavy minerals, like chromium, nickel, and magnesium, which are more abundant in the mantle and deep crust. When Africa floated over here 300 million years ago, a little bit of this oceanic rock got pushed along with it and ended up in the Appalachian Mountains, and in Soldiers Delight. Nobody knew that in 1960.
Red Dog Lodge was built in 1912 as a hunting lodge and has been a symbol of Soldiers Delight for me since I started meeting, playing, and hiking there when I was a kid in the 1950s. It always seemed like a place with secrets, a place where men once did things that weren’t done anymore, things that Tom Sawyer would know about because he had seen them in a book. It was built for Mr. Dolfield, who gave his name to the road I grew up on, and also for the namesake of Sherwood Hill Road where our three-letter friends the Lees and the Coes lived. I knew Mr. Hibline who used the lodge after World War II, but I never knew that he was a person who used it, or what it was used for. It never occurred to me that somebody owned it. So I didn’t know much at all, but it was always good to be at Red Dog Lodge. Continue reading “Red Dog Lodge”
I watched eBay auctions for Nikon D3100 cameras for a day, then started watching auctions for D5100 cameras. I assumed that the upgrade from the Nikon D40’s six megapixels had to be at least to 14 megapixels to make a noticeable improvement in copies of old Plus-X film, and I assumed that to really record the film grain, the D5100’s 16 megapixels would be required. But the D5100 was $100 more, and the raw files it makes are 20 MB, compared to 15 MB for the D3100 (and 5 MB for my old D40). The D5100 is also bigger and a bit heavier. After several D3100 auctions completed, I ordered a refurbished one from Adorama for $350, about the price used ones were going for on eBay with a kit 18-55 mm VR lens. This gave me a 90 day warranty and it was easy to order a couple of spare batteries. It arrived in 1.5 days for $6 shipping, way better than most eBay deals. Continue reading “Copy that”
Digging around for 40 year old negatives last week turned up a couple of even older things. I found a little T-shirt, and a couple of copies of the Sunday rotogravure section from The Baltimore Sun for August 21, 1960, 53 years ago today. The brown section had been archived because it included photos of my entire family in a two page spread about Soldiers Delight. We were honored to be pictured in this article because the photographer was A. Aubrey Bodine who had worked for the Baltimore Sun since 1920. We were chosen to be the models for this photo shoot because my parents were advocates for the preservation of the undeveloped tract of serpentine barrens near our home in Owings Mills, Maryland. Also because we were really cute. Continue reading “Convergent artifacts”
In the 1970s I exposed about 400 rolls of black and white film. Most of these were 36 exposure rolls of 35 mm Kodak Plus-X which I bulk loaded and developed at home. I made an 8 x 10 inch contact print of each roll, and put an accession number on the contact sheet and the glassine envelope with the negative strips. I still have all 14,000 of these negatives and contact prints. If you think that preserving this collection suggests that I am farsighted, consider that I never put a single date on any of this material. Continue reading “Negative space”