At the end, I am at home in the woods
The north end of Lake Dunmore is surrounded by 250 acres of flat, level land which is less than 25 feet higher than the lake. The soil is gravely sand, and lobes of sandy soil bulge into the lake at the Keewaydin and Songadeewin summer camps. I assumed these sandy lobes were deltas built into the lake as the Laurentide glacier melted away to the north, but now I’m not so sure.
Click images to enlarge.
In the 1970s I exposed about 400 rolls of black and white film. Most of these were 36 exposure rolls of 35 mm Kodak Plus-X which I bulk loaded and developed at home. I made an 8 x 10 inch contact print of each roll, and put an accession number on the contact sheet and the glassine envelope with the negative strips. I still have all 14,000 of these negatives and contact prints. If you think that preserving this collection suggests that I am farsighted, consider that I never put a single date on any of this material. In my twenties, it never occurred to me that I would not remember where and when I took each photo. Continue reading “Negative space”
This Google Earth embed did not work well with all browsers so I was testing it here. You can learn more about this project here.
In the late nineteenth century, hand drawn “bird’s-eye maps” were a revelation to earthly New Englanders. When exotic hot air balloons were the only way to gain such a perspective, enterprising artists just imagined what a bird might see. The customers for these maps lived and worked in the buildings depicted, so these are probably placed with some accuracy, relying on existing maps for data. It is the details of the rest of the landscape that were recorded nowhere else. In the 1889 drawing below, cleared fields, orchards, and shrubby growth nearly to the top of Hogback Mountain confirm the wisdom that in 1850 the entire slope, like others all over Vermont, was probably cleared of trees. Today, the young ages of the trees tell the same story, but an old bird’s-eye view is still a revelation. Continue reading “Kite’s eye view”
I was able to get some aerial photos of most of the plots after I had marked each seedling with pink flagging. I flew a dual camera KAP rig with normal and infrared-modified cameras lofted by a kite. I will be experimenting with false color IR (NRG) and NDVI images which can be created with information from both cameras. Continue reading “Sprucing up the hills”
The PLOTS visible/near-infrared camera tool was ready to fly on Thursday, but the Fled could not find enough wind. So I switched on the two cameras and the timer and walked around the field making photos every 10 seconds. Continue reading “Earthbound NDVI”
Ever since I backed the balloon mapping Kickstarter project, I have been thinking about what to do with the matched pair of visible and infra-red cameras I will receive next month. I’m intrigued by the idea of making NDVI images by combining information from the two cameras. NDVI maps of vegetation can reveal new ecological patterns, but I still have no idea what I might learn with this tool. I have also been thinking about how to deploy the cameras to take aerial photos. The level of my Kickstarter pledge entitles me to a kit with cameras and other things, but it is not yet clear what other things will be included. So when it was 50° a couple of weeks ago and tolerable to work in the garage, I started playing with a piece of one of the aluminum storm window frames that were thrown behind the shed. The goal was to make a cheap, lightweight, self-leveling rig to hold two cameras pointing in the same direction: down. Continue reading “Test Flight”
While in Alaska in June I visited some mountain treeline study plots we established in 1998 to describe and monitor the population of white spruce at the transition between subalpine forest and alpine tundra. I searched the plots for new spruce seedlings and remeasured the ones that had been previously located and marked. A wildfire burned through some of the plots in 2004, and a new tree species has since established where the organic soil was consumed. Thousands of seedlings of quaking aspen now grow in the plots, and I recorded their number and height in subplots. These are healthy seedlings growing in the tundra where, prior to 2004, the only trees were a few stunted spruce. This invasion will be either a short-lived experiment that ends when the aspens try to grow taller than the winter snowpack, or the start of a novel treeline community. Monitoring these plots will eventually reveal how this plays out, so in the meantime counting and measuring a few things is considered to be science. Continue reading “NOrtho Photo”
A couple of weeks ago I took some photos and video from the KAP rig lofted on the Flow Form 16 kite above a clearing behind the house. I did not get far stitching the images into a panorama, and had to move on to other business. Since then I have used Photosynth, which will not only display stitched panoramas, but the multiple unstitched overlapping images. The photos do not need to be taken from the same place, so KAP images should be well suited. Photosynth will create and display a 3D model of the surfaces in the photographs. The model consists of the points that Photosynth has determined are shared in two or more photos, and the 3D plot of those points based on photogrammetric analysis of the images. You can toggle a display of the point cloud in the Photosynth viewer below. Continue reading “Photosynth Thesis”